Really? I’ve got all these questions written down in a form I thought you might require. They all sound like essay questions for the finals in a graduate philosophy seminar.
The truth is that I’ve always felt trapped and pinned down and harried by those questions.
Questions like [reading from notes] “Your first feature, Fear and Desire, in 1953, concerned a group of soldiers lost behind enemy lines In an unnamed war; Spartacus contained some battle scenes; Paths of Glory was an indictment of war and, more specifically, of the generals who wage it; and Dr. Strangelove was the blackest of comedies about accidental nuclear war. How does Full Metal Jacket complete your examination of the subject of war? Or does it?”
Those kinds of questions.
You feel the real question lurking behind all the verblage is “What does this new movie mean?”